By e. e. cummings (1925)
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and from moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.
A place where I (the nitwit) keep track of the various oddments of my mundane but happy little life.
Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts
Thursday, April 30, 2009
Wednesday, April 29, 2009
I am the People, the Mob
By Carl Sandburg (1918)
I am the people--the mob--the crowd--the mass.
Do you know that all the great work of the world is done through me?
I am the workingman, the inventor, the maker of the world's food and clothes.
I am the audience that witnesses history.
The Napoleons come from me and the Lincolns.
They die.
And then I send forth more Napoleons and Lincolns.
I am the seed ground.
I am a prairie that will stand for much plowing.
Terrible storms pass over me. I forget.
The best of me is sucked out and wasted. I forget.
Everything but Death comes to me and makes me work and give up what I have.
And I forget.
Sometimes I growl, shake myself and spatter a few red drops for history to remember.
Then--I forget.
When I, the People, learn to remember, when I, the People, use the lessons of
yesterday and no longer forget who robbed me last year, who played me for a fool--
then there will be no speaker in all the world say the name:
"The People," with any fleck of a sneer in hisvoice or any far-off smile of derision.
The mob--the crowd--the mass--will arrive then.
I am the people--the mob--the crowd--the mass.
Do you know that all the great work of the world is done through me?
I am the workingman, the inventor, the maker of the world's food and clothes.
I am the audience that witnesses history.
The Napoleons come from me and the Lincolns.
They die.
And then I send forth more Napoleons and Lincolns.
I am the seed ground.
I am a prairie that will stand for much plowing.
Terrible storms pass over me. I forget.
The best of me is sucked out and wasted. I forget.
Everything but Death comes to me and makes me work and give up what I have.
And I forget.
Sometimes I growl, shake myself and spatter a few red drops for history to remember.
Then--I forget.
When I, the People, learn to remember, when I, the People, use the lessons of
yesterday and no longer forget who robbed me last year, who played me for a fool--
then there will be no speaker in all the world say the name:
"The People," with any fleck of a sneer in hisvoice or any far-off smile of derision.
The mob--the crowd--the mass--will arrive then.
Tuesday, April 28, 2009
Stopping By Woods on a Snowy Evening
By Robert Frost (1916)
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Monday, April 27, 2009
Lovliest of Trees, the Cherry Now
By A.E. Housman (1896)
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
Friday, April 24, 2009
Crossing the Bar
By Alfred, Lord Tennyson (1889)
Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.
Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;
For tho’ from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crossed the bar
Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.
Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;
For tho’ from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crossed the bar
Thursday, April 23, 2009
986
986
By Emily Dickinson (1886)
A narrow Fellow in the Grass
Occasionally rides --
You may have met Him -- did you not
His notice sudden is --
The Grass divides as with a Comb --
A spotted shaft is seen --
And then it closes at your feet
And opens further on --
He likes a Boggy Acre
A Floor too cool for Corn --
Yet when a Boy, and Barefoot --
I more than once at Noon
Have passed, I thought, a Whip lash
Unbraiding in the Sun
When stooping to secure it
It wrinkled, and was gone --
Several of Nature's People
I know, and they know me --
I feel for them a transport
Of cordiality --
But never met this Fellow
Attended, or alone
Without a tighter breathing
And Zero at the Bone –
By Emily Dickinson (1886)
A narrow Fellow in the Grass
Occasionally rides --
You may have met Him -- did you not
His notice sudden is --
The Grass divides as with a Comb --
A spotted shaft is seen --
And then it closes at your feet
And opens further on --
He likes a Boggy Acre
A Floor too cool for Corn --
Yet when a Boy, and Barefoot --
I more than once at Noon
Have passed, I thought, a Whip lash
Unbraiding in the Sun
When stooping to secure it
It wrinkled, and was gone --
Several of Nature's People
I know, and they know me --
I feel for them a transport
Of cordiality --
But never met this Fellow
Attended, or alone
Without a tighter breathing
And Zero at the Bone –
Wednesday, April 22, 2009
The Noiseless Patient Spider
The Noiseless Patient Spider
By Walt Whitman (1881)
A noiseless patient spider,
I mark’d where on a little promontory it stood, isolated,
Mark’d how to explore the vacant vast surrounding,
It launch’d forth filament, filament, filament, out of itself,
Ever unreeling them, ever tirelessly speeding them.
And you O my Soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
Till the bridge you will need be form’d, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my Soul.
By Walt Whitman (1881)
A noiseless patient spider,
I mark’d where on a little promontory it stood, isolated,
Mark’d how to explore the vacant vast surrounding,
It launch’d forth filament, filament, filament, out of itself,
Ever unreeling them, ever tirelessly speeding them.
And you O my Soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
Till the bridge you will need be form’d, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my Soul.
Tuesday, April 21, 2009
How Do I Love Thee
How Do I Love Thee
By Elizabeth Barrett Browning (1850)
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to loseWith my lost saints, ---
I love thee with the breath,Smiles, tears, of all my life! ---
and, if God choose,I shall but love thee better after death.
By Elizabeth Barrett Browning (1850)
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to loseWith my lost saints, ---
I love thee with the breath,Smiles, tears, of all my life! ---
and, if God choose,I shall but love thee better after death.
Monday, April 20, 2009
The Raven
The Raven (first four verses)
By Edger Allan Poe (1845)
Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,
'Presently my soul grew stronger; hesitating then no longer,
`Sir,' said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.
By Edger Allan Poe (1845)
Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,
'Presently my soul grew stronger; hesitating then no longer,
`Sir,' said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.
Friday, April 17, 2009
Concord Hymn
Concord Hymn
By Ralph Waldo Emerson (1837)
By the rude bridge that arched the flood,
Their flag to April's breeze unfurled;
Here once the embattled farmers stood;
And fired the shot heard round the world.
The foe long since in silence slept;
Alike the conqueror silent sleeps,
And Time the ruined bridge has swept
Down the dark stream that seaward creeps.
On this green bank, by this soft stream,
We place with joy a votive stone,
That memory may their deeds redeem,
When, like our sires, our sons are gone.
O Thou who made those heroes dare
To die, and leave their children free,
--Bid Time and Nature gently spare
The shaft we raised to them and Thee.
By Ralph Waldo Emerson (1837)
By the rude bridge that arched the flood,
Their flag to April's breeze unfurled;
Here once the embattled farmers stood;
And fired the shot heard round the world.
The foe long since in silence slept;
Alike the conqueror silent sleeps,
And Time the ruined bridge has swept
Down the dark stream that seaward creeps.
On this green bank, by this soft stream,
We place with joy a votive stone,
That memory may their deeds redeem,
When, like our sires, our sons are gone.
O Thou who made those heroes dare
To die, and leave their children free,
--Bid Time and Nature gently spare
The shaft we raised to them and Thee.
Thursday, April 16, 2009
She Walks in Beauty
She Walks in Beauty
By George Gordon, Lord Byron (1815)
Note: Did you know that, notorious rake, Byron was the father of Ada Lovelace? I didn't until quite recently. I'll have to do a little more research, and then do a separate post about that connection.
She walks in Beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
By George Gordon, Lord Byron (1815)
Note: Did you know that, notorious rake, Byron was the father of Ada Lovelace? I didn't until quite recently. I'll have to do a little more research, and then do a separate post about that connection.
She walks in Beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
Wednesday, April 15, 2009
Kubla Khan
Kubla Khan (excerpt)
By Samuel Taylor Coleridge (1816)
In Xanadu did Kubla Khan
a stately pleasure-dome decree,
where Alph, the sacred river, ran
through caverns measureless to man
down to a sunless sea,
so twice five miles of fertile ground
with walls and towers were girdled round.
and there were gardens bright with sinuous rills,
where blossom'd many an incense-bearing tree.
And here were forests as ancient as the hills,
enfolding sunny spots of greenery.
By Samuel Taylor Coleridge (1816)
In Xanadu did Kubla Khan
a stately pleasure-dome decree,
where Alph, the sacred river, ran
through caverns measureless to man
down to a sunless sea,
so twice five miles of fertile ground
with walls and towers were girdled round.
and there were gardens bright with sinuous rills,
where blossom'd many an incense-bearing tree.
And here were forests as ancient as the hills,
enfolding sunny spots of greenery.
Tuesday, April 14, 2009
I Wandered Lonely As a Cloud
I Wandered Lonely As a Cloud
By William Wordsworth (circa 1800)
I WANDERED lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed--and gazed--but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
By William Wordsworth (circa 1800)
I WANDERED lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed--and gazed--but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
Monday, April 13, 2009
The Tyger
The Tyger
By William Blake (circa 1790)
Note: Would someone please explain to me why geeks seem to like this poem so much? It's certainly a good one, but computer people seem to have a particular passion for it. Is there some sort of joke that I'm just not getting?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
By William Blake (circa 1790)
Note: Would someone please explain to me why geeks seem to like this poem so much? It's certainly a good one, but computer people seem to have a particular passion for it. Is there some sort of joke that I'm just not getting?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
Friday, April 10, 2009
Gather Ye Rosebuds
To Make Much of Time
By Robert Herrick (circa 1620)
Gather ye rosebuds while ye may,
Old Time is still a-flying;
And this same flower that smiles today
Tomorrow will be dying.
The glorious lamp of heaven, the sun,
The higher he's a-getting,
The sooner will his race be run,
And nearer he's to setting.
That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.
Then be not coy, but use your time,
And while ye may, go marry;
For having lost but once your prime,
You may forever tarry.
By Robert Herrick (circa 1620)
Gather ye rosebuds while ye may,
Old Time is still a-flying;
And this same flower that smiles today
Tomorrow will be dying.
The glorious lamp of heaven, the sun,
The higher he's a-getting,
The sooner will his race be run,
And nearer he's to setting.
That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.
Then be not coy, but use your time,
And while ye may, go marry;
For having lost but once your prime,
You may forever tarry.
Thursday, April 09, 2009
Twa Corbies
Some medieval bard must have thought that yesterday's poem "Three Ravens" was overly melodramatic because this parody appeared during the same era. It has the hawk and the hound and the lady fair all running off and leaving the poor dead night to the crows.
Twa Corbies (A parody of “Three Ravens” by an anonymous poet of the same era.)
As I was walking all alone,
I heard two crows (or ravens) making a moan;
One said to the other,
“Where shall we go and dine today?”
“In behind that old turf wall,
I sense there lies a newly slain knight;
And nobody knows that he lies there,
But his hawk, his hound and his lady fair.”
“His hound is to the hunting gone,
His hawk to fetch the wild-fowl home,
His lady’s has taken another mate,
So we may make our dinner sweet.”
“You will sit on his white neck-bone,
And I’ll peck out his pretty blue eyes;
With one lock of his golden hair
We’ll thatch our nest when it grows bare.”
“Many a one for him is moaning,
But nobody will know where he is gone;
Over his white bones, when they are bare,
The wind will blow for evermore.”
Twa Corbies (A parody of “Three Ravens” by an anonymous poet of the same era.)
As I was walking all alone,
I heard two crows (or ravens) making a moan;
One said to the other,
“Where shall we go and dine today?”
“In behind that old turf wall,
I sense there lies a newly slain knight;
And nobody knows that he lies there,
But his hawk, his hound and his lady fair.”
“His hound is to the hunting gone,
His hawk to fetch the wild-fowl home,
His lady’s has taken another mate,
So we may make our dinner sweet.”
“You will sit on his white neck-bone,
And I’ll peck out his pretty blue eyes;
With one lock of his golden hair
We’ll thatch our nest when it grows bare.”
“Many a one for him is moaning,
But nobody will know where he is gone;
Over his white bones, when they are bare,
The wind will blow for evermore.”
Wednesday, April 08, 2009
Three Ravens
This poem was written to show how loyal and devoted the hawk and the hound and the "doe" were to the knight. Why burying the knight had to kill the "doe" I'm not exactly sure. Maybe she's supposed to have died of grief.
Three Ravens
Anonymous
Written down in 1611, but probably sung for many centuries before.
There were three ravens sat on a tree,
downe a downe, hay downe, hay downe,
There were three rauens sat on a tree,
with a downe,
There were three rauens sat on a tree,
They were as blacke as they might be.
With a downe, derrie, derrie, derrie, downe, downe.
The one of them said to his mate,
Where shall we our breakfast take?
Downe in yonder greene field,
There lies a Knight slain under his shield,
His hounds they lie downe at his feete,
So well they can their Master keepe,
His Hawkes they flie so eagerly,
There's no fowle dare him come nie
Downe there comes a fallow Doe (note, this really means a woman!),
As great with yong as she might goe,
She lift up his bloudy head,
And kist his wounds that were so red,
She got him up upon her backe,
And carried him to earthen lake,
She buried him before the prime,
She was dead her self ere euen-song time.
God send euery gentleman,
Such haukes, such hounds, and such a Leman.
Three Ravens
Anonymous
Written down in 1611, but probably sung for many centuries before.
There were three ravens sat on a tree,
downe a downe, hay downe, hay downe,
There were three rauens sat on a tree,
with a downe,
There were three rauens sat on a tree,
They were as blacke as they might be.
With a downe, derrie, derrie, derrie, downe, downe.
The one of them said to his mate,
Where shall we our breakfast take?
Downe in yonder greene field,
There lies a Knight slain under his shield,
His hounds they lie downe at his feete,
So well they can their Master keepe,
His Hawkes they flie so eagerly,
There's no fowle dare him come nie
Downe there comes a fallow Doe (note, this really means a woman!),
As great with yong as she might goe,
She lift up his bloudy head,
And kist his wounds that were so red,
She got him up upon her backe,
And carried him to earthen lake,
She buried him before the prime,
She was dead her self ere euen-song time.
God send euery gentleman,
Such haukes, such hounds, and such a Leman.
Tuesday, April 07, 2009
Another Ancient Poem
No, I did not mention to the kids the name of Sappho's home island. All I told them is that this poem was found written on a crumbling piece of parchment, and that the first and last verses are probably missing. Some words are the translator's best guess because pieces of the original material were actually torn away.
Ancient Greek Poem
Sappho (circa 600 b.c.e.)
Now she shines forth among the Lydian
Ladies, when as the sun sinks low,
The rosy-fingered Moon
Surpasses all the stars.
The light spreads over the salty sea
As over the many flowered fields
The delicate dew falls, they bloom ----
The roses and tender anthrusca and
The flowering honey-lotus.
And she, often wandering back and forth
Remembers gentle Atthis with longing
And eats away at her tender heart for your fate.
Ancient Greek Poem
Sappho (circa 600 b.c.e.)
Now she shines forth among the Lydian
Ladies, when as the sun sinks low,
The rosy-fingered Moon
Surpasses all the stars.
The light spreads over the salty sea
As over the many flowered fields
The delicate dew falls, they bloom ----
The roses and tender anthrusca and
The flowering honey-lotus.
And she, often wandering back and forth
Remembers gentle Atthis with longing
And eats away at her tender heart for your fate.
Monday, April 06, 2009
Ancient Poem
This poem reads a bit like a better quality pop song from the modern era. However, it is actually at least 3000 years old. It turns out that men haven't changed all that much since ancient times. Racier translations also exist.
Egyptian Love Poem
Author Unknown (circa 1000 b.c.e)
She is one girl,
there is no one like her.
She is more beautiful
than any other.
Look, she is like a star goddess arising
at the beginning of a happy new year;
brilliantly white, bright skinned;
with beautiful eyes for looking,
with sweet lips for speaking;
she has not one phrase too many.
With a long neck and white complexion,
her hair of genuine lapis lazuli;
her arm more brilliant than gold;
her fingers like lotus flowers,
with long legs and girt waist.
Her eyes offer her beauty,
with a brisk step she treads on ground.
She has captured my heart
in her embrace.
She makes all men turn their necks
to look at her.
One looks at her passing by,
this one, the unique one.
Egyptian Love Poem
Author Unknown (circa 1000 b.c.e)
She is one girl,
there is no one like her.
She is more beautiful
than any other.
Look, she is like a star goddess arising
at the beginning of a happy new year;
brilliantly white, bright skinned;
with beautiful eyes for looking,
with sweet lips for speaking;
she has not one phrase too many.
With a long neck and white complexion,
her hair of genuine lapis lazuli;
her arm more brilliant than gold;
her fingers like lotus flowers,
with long legs and girt waist.
Her eyes offer her beauty,
with a brisk step she treads on ground.
She has captured my heart
in her embrace.
She makes all men turn their necks
to look at her.
One looks at her passing by,
this one, the unique one.
Friday, April 03, 2009
National Poetry Month
Welcome to National Poetry Month! Okay, I guess it did start on April 1st, but if I'd mentioned it then, you would have thought I was kidding. Some may think I'm kidding now. National Poetry Month!? Who wants to spend a whole month on something as boring/painful as that? I can almost hear them clamoring about it now. However, lots of us (no, not just English teachers) enjoy poetry, and a whole month of celebration sounds just about right.
As part of the celebration here at school, we are having our version of a poetry slam at the end of the month. Our rules for "Slamming" are a little more relaxed than the official ones; the main difference being that the kids can use poems written by others if they so choose. Therefore, this is really a poetry delivery contest rather than a true slam. However, the kids really get into it, and they read and hear a lot of poems, and that is all that I really care about.
In preparation for the competition (we have a bracket and everything!) we read lots of poems out loud to explore different styles, eras, and themes. I try quite hard to get the kids to focus on the more literary end of the poem spectrum since I figure the more everyday stuff (music lyrics, jingles, silly verse) is around them already. This year, to facilitate our lessons, I've created a master list of poems that are suitable for the sensitive ears (okay, maybe the parents are the ones with sensitive ears) of brand new teens. Allow me to abuse your patience with poems for the next few days.
As part of the celebration here at school, we are having our version of a poetry slam at the end of the month. Our rules for "Slamming" are a little more relaxed than the official ones; the main difference being that the kids can use poems written by others if they so choose. Therefore, this is really a poetry delivery contest rather than a true slam. However, the kids really get into it, and they read and hear a lot of poems, and that is all that I really care about.
In preparation for the competition (we have a bracket and everything!) we read lots of poems out loud to explore different styles, eras, and themes. I try quite hard to get the kids to focus on the more literary end of the poem spectrum since I figure the more everyday stuff (music lyrics, jingles, silly verse) is around them already. This year, to facilitate our lessons, I've created a master list of poems that are suitable for the sensitive ears (okay, maybe the parents are the ones with sensitive ears) of brand new teens. Allow me to abuse your patience with poems for the next few days.
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